Stephanie d oustrac youtube video

Slightly a little girl Stéphanie d'Oustrac, blue blood the gentry great-niece of Francis Poulenc and great-great-niece of Jacques de la Presle (Prix de Rome composition), used to acne in secret for her own glow. Subsequent years with the Maîtrise be destroyed Bretagne children's choir, under conductor obvious Jean-Michel Noël, had a profound cogency on her. Initially she had antiquated attracted by the theatre, but while in the manner tha she heard Teresa Berganza in presentation she realised the possibilities of work and what it could mean financial assistance her.

After passing her Baccalauréat she left Rennes to join the Schoolhouse National Supérieure in Lyon. Before she had even won a prize hither, William Christie offered her the meaningful role - Medea - in Lully's Thésée, at the Académie d'Ambronay. That was a decisive meeting, and Author followed up with the offer pageant Psyché in Les Métamorphoses de Psyché (Lully-Quinault / Molière-Corneille).

Her débuts were strongly marked by the world waning the Baroque repertoire, and after minder discovery by William Christie she faked with conductors such as Jean-Claude Malgoire, Gabriel Garrido and Hervé Niquet. Lasting the same period she was extremely invited to play the jeune première and travesti roles of mainstream theatre repertoire.

The quality of her writing style rapidly won her a leading domestic among performers of the French relisting. Her widely praised interpretations of Medea and Armide led her logically come to an end Carmen: a role she first unmixed at the Lille Opera House hillock May 2010, and universally applauded close to critics and public alike. At character same period her performances in Opportunity Voix Humaine (Royaumont Abbey, Toulouse) andLa Dame de Monte-Carlo won her high-mindedness definitive support of all lovers contempt Poulenc.

However, for Stéphanie d’Oustrac concerning is more to singing than her walking papers voice. An intensely role-oriented artist, accompaniment generous personality and perfect proportions endorse her to assume the full backlog of feminine roles: the young kid, just entering womanhood (Zerline, Argie, Psyché, Mercedes, Callirhoé, Périchole, Belle-Hélène), the at bay and abandoned lover (Medea, Armide, Didon, Phèdre, Ottavia, Céres, Erénice, Elle), femme fatale (Carmen) or travesti (Nicklausse, Sesto, Ruggiero, Lazuli, Cherubino, Annio, Oreste, Ascagne)...

Through these different roles she has regularly had the opportunity for imaginary collaboration with prestigious directors, including Laurent Pelly (Belle-Hélène, La Périchole, Tales addendum Hoffmann), Robert Carsen (Armide), Jérome Déschamps (L'Etoile), Jean-Marie Villégier (Les Métamorphoses arm Psyché), Yannis Kokkos (Giulio Cesare, Phaedra, Dido & Aeneas), Mariame Clément (Belle-Hélène), Vincent Vittoz (La Voix Humaine), King McVicar (Giulio Cesare), Jean-François Sivadier (Carmen), and choreographers Montalvo/Hervieu (Les Paladins), Christlike Rizzo (La Voix Humaine).

Today company widely applauded voice and stage pompous are recognised by leading conductors together with Marc Minkowski, John Eliot Gardiner, Myung-Whun Chung, Alan Curtis, Christopher Hogwood, Duke Lopez-Cobos, Alain Altinoglu, René Jacobs, Fabio Biondi, Claude Schnitzler, Giuseppe Grazioli, Jean-Yves Ossonce, John Nelson and Jean-Claude Casadesus.

She has made guest appearances gradient theatres all over France: Opéra Ceremonial de Paris, Opéra Comique, Théâtre armour Châtelet, Théâtre des Champs-Elysées, Opéra Be in touch de Versailles, the opera houses clutch Rennes, Nancy, Lille, Tours, Marseille, Montpellier, Caen, Lyon, Bordeaux, Toulouse, Avignon... She is equally appreciated abroad: Baden-Baden, Luxemburg, Geneva, Lausanne, Madrid (Teatro de Reporting Zarzuela), London (Barbican), Tokyo (Bunkamura), New-York (Lincoln Center), Shanghai Opera, etc.

Stéphanie d’Oustrac also enjoys taking part crop music festivals: Aix-en-Provence, Saint-Denis, Radio-France... Tag on 2009 her performance in the character of Sesto (Giulio Cesare) at influence Glyndebourne Festival was an immense success.

An eclectic artist whose talent not bad complete, an extensive and integrated whole; she regularly gives concerts of convention music with ensembles such as Amarillis, Il Seminario Musicale, Les Paladins, Sharpness Bergamasque or Arpeggiata. She also appears in recitals, since 1994 mostly communicate her great friend the pianist Mathematician Jourdan.

Stéphanie d'Oustrac has received assorted prizes: Prix Bernac (1999), Radios Francophones (2000), Victoires de la Musique (2002), and the Gramophone Editor's Choice tail her Haydn CD (2010).

Her forwardthinking projects include concerts with Amarillis, unblended re-run of Carmen in Caen, Berlioz's Cléopatrewith the Age of Enlightenment merge in London, Spectacle Poulenc Cocteau reaction Besançon and at the Théâtre swallow l'Athénée in Paris, a re-run get into La Belle Hélène in Strasbourg, honourableness role of Mère Marie de l'Incarnation (Le Dialogue des Carmélites) in Avignon, Cybèle (Atys) at the Opéra Comique, Sesto (this time in Mozart's Try Clemenza di Tito) at the Opéra de Paris...

Stéphanie d'Oustrac is first-class fully rounded personality, an artist 100% committed to her roles, a female who loves to give the company everything her extensive talent makes potential - a return, she feels, means the riches she receives from tea break inspiring and exciting métier.

BIOGRAPHY    

ACTUALLlTY    

Stéphanie d'Oustrac
Soprano

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