Hans ulrich gumbrecht biography of williams

PERSONAL:

Born June 15, 1948, in Wurzburg, Germany; son chide Hanns Heinz and Thea Gumbrecht; spliced Ulrike Loch, August 30, 1989; children: Marco, Sara, Christopher Vincent, Laura Missioner. Education: Attend the Universität München, Universidad de Salamanca, and the Universität Regensburgh. University of Konstanz, Ph.D., 1971.

ADDRESSES:

Office—112 Pigott Hall, Stanford University, Stanford, CA 94305-2010. E-mail—[email protected].

CAREER:

Scholar, educator, writer, and editor. College of Bochum, Bochum, Germany, professor, 1975-82; University of Siegen, Siegen, Germany, prof, 1983-89; Stanford University, Stanford, CA, prof, 1989—, named Albert Guérard Professor infringe Literature. Also associate professor at class University of Montreal, Montreal, Quebec, Canada; directeur d'études associé, École des Hautes Études en Sciences Sociales, Paris, France; professeur attaché, Collège de France.

MEMBER:

Modern Chew the fat Association, American Academy of Arts concentrate on Sciences (fellow), Deutscher Romanistenverband, Wolfram von Eschenbach Association, Association Internationale de Hispanistas.

AWARDS, HONORS:

Cuthbertson Award, Stanford University, 2000. Additionally awarded honorary degrees, including University chief Montevideo, Ph.D., 1999; University of Metropolis, Ph.D., 2004; University of Siegen, Frg, Ph.D., 2007.

WRITINGS:

Funktionswandel und Rezeption; Studien zur Hyperbolik in literarischen Texten des romanischen Mittelalters, W. Fink (Munich, Germany), 1972.

Zola Im Historischen Kontext: Für Eine Neue Lektüre Des Rougon-Macquart-Zyklus, W. Fink (Munich, Germany), 1978.

Funktionen Parlamentarischer Rhetorik in Bring to bear Französischen Revolution: Vorstudien Zur Entwicklung Einer Historischen Textpragmatik, W. Fink (Munich, Germany), 1978.

Literatur in Der Gesellschaft Des Spätmittelalters, C. Winter (Heidelberg, Germany), 1980.

(With Karlheinz Stierle and Rainer Warning) Honoré Common Balzac, Fink (Munich, Germany), 1980.

(With Rolf Reichardt und Thomas Schleich) Sozialgeschichte Dispose Aufklärung in Frankreich: 12 Original-Beiträge, Oldenbourg (Munich, Germany), 1981.

(With Bernard Cerquiglini) Der Diskurs Der Literatur Und Sprachhistorie: Wissenschaftsgeschichte Als Innovationsvorgabe, Suhrkamp (Frankfurt, Germany), 1983.

(With Ursula Link-Heer) Epochenschwellen Und Epochenstrukturen Cult Diskurs Der Literatur Und Sprachhistorie, Suhrkamp (Frankfurt, Germany), 1985.

La Littérature Historiographique Stilbesterol Origines à 1500, C. Winter (Heidelberg, Germany), 1986.

(With K. Ludwig Pfeiffer) Stil: Geschichten Und Funktionen Eines Kulturwissenschaftlichen Diskurselements, Suhrkamp (Frankfurt, Germany), 1986.

‘Dabei Sein Go in to Alles’: Über Die Geschichte Von Medien, Sport, Publikum, DFG-Sonderforschungsbereich 240 (Siegen, Germany), 1988.

(With Niklas Luhmann, Heinz Heckhausen, survive Siegfried J. Schmidt) Kreativität, Ein Verbrauchter Begriff?, W. Fink (Munich, Germany), 1988.

Eine Geschichte Der Spanischen Literatur, Suhrkamp (Frankfurt, Germany), 1990.

(With K. Ludwig Pfeiffer) Paradoxien, Dissonanzen, Zusammenbrüche: Situationen Offener Epistemologie, Suhrkamp (Frankfurt, Germany), 1991.

(With Robert Weimann) Postmoderne: Globale Differenz, Suhrkamp (Frankfurt, Germany), 1991.

Making Sense in Life and Literature, translated by Glen Burns; foreword by Wlad Godzich, University of Minnesota Press (Minneapolis, MN), 1992.

(Editor, with K. Ludwig Pfeiffer) Materialities of Communication, translated by William Whobrey, Stanford University Press (Stanford, CA), 1994.

(With Christoph Wulf and Dietmar Kamper) Ethik Der Ästhetik, Akademie Verlag (Berlin, Germany), 1994.

(Editor, with Marina S. Brownlee) Cultural Authority in Golden Age Spain,Johns Hopkins University Press (Baltimore, MD), 1995.

(With Friedrich Kittler und Bernhard Siegert) Der Dichter Als Kommandant: D'Annunzio Erobert Fiume, W. Fink (Munich, Germany), 1996.

In 1926: Living on the Edge of Time,Harvard University Press (Cambridge, MA), 1997.

(Editor, walkout David Palumbo-Liu) Streams of Cultural Capital: Transnational Cultural Studies, Stanford University Appeal to (Stanford, CA), 1997.

(Editor, with Joao Cezar de Castro Rocha) Máscaras Da Mímesis: A Obra De Luiz Costa Lima, Editora Record (Rio de Janeiro, Brazil), 1999.

Warum Fussball? Kulturwissenschaftliche Beschreibungen Eines Sports, Aisthesis (Bielefel, Germany), 2002.

ParisBerlin: Europa, Fundacion BBV (Bilbao, Spain), 2002.

Vom Leben Surreptitious Sterben Der Grossen Romanisten: Karl Vossler, Ernst Robert Curtius, Leo Spitzer, Erich Auerbach, Werner Krauss, Hanser (Munich, Germany), 2002.

(Editor, with Michael Marrinan) Mapping Benjamin: The Work of Art in representation Digital Age, Stanford University Press (Stanford, CA), 2003.

The Powers of Philology: Kinetics of Textual Scholarship, University of Algonquian Press (Urbana, IL), 2003.

(Author of introduction) Intermedialidad E Hispanística, P. Lang (New York), 2003.

(Editor, with Timothy Lenoi) Ursula Klein, Experiments, Models, Paper Tools: Cultures of Organic Chemistry in the 19th Century, Stanford University Press (Stanford, CA), 2003.

(Editor, with David E. Wellbery beginning Judith Ryan) A New History atlas German Literature, Belknap Press of Philanthropist University Press (Cambridge, MA), 2004.

Production take away Presence: What Meaning Cannot Convey, Businessman University Press (Stanford, CA), 2004.

In Appeal to of Athletic Beauty, Belknap Press doomed Harvard University Press (Cambridge, MA), 2006.

Contributor to Metrópoles Na Pós-modernidade, edited stop Fernanda Gil Costa and Helena Goncalves da Silva, Colibri (Lisbon, Portugal), 2004.

SIDELIGHTS:

Hans Ulrich Gumbrecht is a professor virtuous literature whose fields of interest embrace literary theory, Romance literatures, medieval civility, contemporary culture, and philosophical aesthetics. Sand has written or edited numerous books within his fields of interest. Confine his 1997 book In 1926: Mount on the Edge of Time, magnanimity author explores the year 1926 person in charge the rushing wave of experiences range were propelling people into the cutting edge. Exploring the realities of the distribute, the author examines the bars, palaces, elevators, automobiles, and airplanes confiscate the time. He also examines excellence culture, including boxing, bullfighting, dance crazes, and the writings of masters specified as Franz Kafka, Jorge Luis Writer and Ernest Hemingway. In the key in, the author explores how people's lives changed, from the beginning of party lines that turned men into automatons to the ravings of Adolf Absolutist. He also looks at other social icons, including Babe Ruth, Josephine Baker, and Greta Garbo. Focusing on high-mindedness cities of Berlin, Buenos Aires, suffer New York, Gumbrecht includes a widespread examination of Europe and Latin America.

In The Powers of Philology: Dynamics motionless Textual Scholarship, published in 2003, Gumbrecht comes to the defense of linguistics, which focuses on the discovery, emendation, and presentation of historical texts. Humanities departments are on the wane appearance colleges and universities, and the novelist presents his view that philology hint essential to historical research. In grandeur process, he argues against the up to date alternative, which features a more unselfish textual interpretation of texts. He as well argues against redefining literary studies little "cultural studies," presenting his view avoid this change results in a deficiency of intellectual focus.

Gumbrecht is also prestige editor, with David E. Wellbery suffer Judith Ryan, of A New Depiction of German Literature, which presents cover scholars and critics writing about representation spirit of the German culture plonk a focus on German literary novel, from the earliest charms and allegorical sagas to twentieth-century fiction, poetry, added film. With 200 original essays, interpretation book forgoes a single continuous revelation and, instead, focuses on a definitely literary work, historical or literary period, musical composition, technological invention, or thespian or cinematic premiere. Overall, the essays provide a look what it evenhanded that has allowed people such importance Hildegard of Bingen, Martin Luther, Immanuel Kant, Johann Wolfgang von Goethe, Ludwig van Beethoven, Ludwig Wittgenstein, and W.G. Sebald to surprise and delight readers.

"The aim of this approach is … not summaries and catalogues, but goodness exploration of the discontinuous in examine of ‘sudden illumination,’" wrote Roger Paulin in the Modern Language Review. Paulin went on to write in primacy same review: "The reader who learns how to use this literary story ‘with a difference’ will do advantageous with great interest and profit. Come after surely must become a standard crack that will attract the widest readership."

In his 2004 book Production of Presence: What Meaning Cannot Convey, the framer provides a personalized account of tiresome of the central theoretical movements scheduled literary studies and the humanities put off have occurred since the 1970s. Rank author also writes about the thinkable future of literary studies and develops his thesis that interpretation alone last wishes not and cannot do justice have knowledge of the dimension in which cultural phenomena and cultural events become tangible suffer subsequently impact people and society.

"The expression ‘presence’ does not refer (at smallest does not mainly refer) to dinky temporal but to a spatial communications to the world and its objects," the author writes in his hard-cover. "Something that is ‘present’ is theoretical to be tangible for human toil, which implies that, conversely, it get close have an immediate impact on android bodies."

Noting that "Gumbrecht puts presence schoolwork the center of future academic prepare in the arts and humanities," Galbi Think! Web site contributor Douglas Galbi found that the author provides topping history of how literary interpretation became the dominant theory in looking surprise victory humanistic activities. Galbi added: "He escalate explores the much different lived approach of presence," noting later in blue blood the gentry same review: "Gumbrecht points to exciting paths for exploring the relationship mid presence of persons and presence contribution things of the world."

The author's closest book, In Praise of Athletic Beauty, examines the immense popularity of diversions and why sports fascinate. Eschewing ethics standard view of sports popularity exploit due to such experiences as assigned thrill, anxiety release, and competitive vital spirit, Gumbrecht offers a provocative alternative, viz. that watching sports may be greatness most popular and potent contemporary arrangement of aesthetic experience. The author writes that this experience represents the exemplary, very literal sense of this concept.

Writing in Booklist, Bryce Christensen called In Praise of Athletic Beauty "a new commentary, light-years from the cliches courier of sportswriting." Comparing reading Gumbrecht down listening to "a kooky but shining professor," Sports Illustrated contributor Charles Hirshberg added that after "you … lie back making fun of him, you be cognizant of that you've learned something interesting."

BIOGRAPHICAL Flourishing CRITICAL SOURCES:

BOOKS

Gumbrecht, Hans Ulrich, Production female Presence: What Meaning Cannot Convey, Businessman University Press (Stanford, CA), 2004.

PERIODICALS

American Verifiable Review, February, 1999, Alun Munslow, examine of In 1926: Living on character Edge of Time, p. 148.

Booklist, Go by shanks`s pony 15, 2006, Bryce Christensen, review take in In Praise of Athletic Beauty, holder. 15.

Choice, January, 1996, J.A. Ara, dialogue of Cultural Authority in Golden Mix Spain, p. 797; July-August, 2004, Class. Uebel, review of Production of Presence,; November, 2006, S.G. Smith, review cut into In Praise of Athletic Beauty, holder. 494.

Hispanic Review, spring, 2000, Emilie Accolade. Bergmann, review of Cultural Authority contact Golden Age Spain, p. 199.

Journal ferryboat English and Germanic Philology, April, 2005, Jan M. Ziolkowski, review of The Powers of Philology: Dynamics of Textual Scholarship, p. 239.

Modern Language Review, July, 2006, Roger Paulin, review of A New History of German Literature, proprietor. 877.

Modern Philology, November, 1997, Nicholas Spadaccini, review of Cultural Authority in Halcyon Age Spain, p. 239.

Publishers Weekly, Feb 20, 2006, review of In Aplaud of Athletic Beauty, p. 152.

Reference & Research Book News, November, 2003, study of Mapping Benjamin: The Work be totally convinced by Art in the Digital Age, possessor. 11; May 1, 2004, review acquisition Production of Presence, p. 8.

Rethinking History, spring, 2000, Marybeth Hamilton, review hint In 1926, p. 101.

Southern Humanities Review, winter, 1995, Carole J. Lambert, survey of Making Sense in Life existing Literature, p. 77; summer, 2000, Carole J. Lam- bert, review of In 1926, p. 276; summer, 2005, Carole J. Lambert, review of Production stir up Presence, p. 276.

Sports Illustrated, June 26, 2006, Charles Hirshberg, "The Nutty Professor," review of In Praise of Lusty Beauty, p. 7.

USA Today, August, 2003, "Electronic Teaching Spurs Skepticism," p. 8.

Virginia Quarterly Review, summer, 1998, review shambles In 1926, p. 80.

ONLINE

Galbi Think!, (June 24, 2008), Douglas Galbi, review be keen on Production of Presence.

Harvard University Press, (June 24, 2008), overview of In 1926.

H-Net: Humanities and Social Sciences Online, (August, 2006), Edward T. Potter, review snare A New History of German Literature.

Stanford University Comparative Literature Department Web site, (June 24, 2008), faculty profile relief author.

Stanford University Press, (June 24, 2008), overview of Production of Presence.

Stanford Introduction Web site, (June 24, 2008), skill profile of author.

University of Illinois Press, (June 24, 2008), overview of The Powers of Philology.