Remigio cantagallina biography sample
Remigio CANTAGALLINA
Borgo San Sepolcro 1575 - Florence 1656
Biography
Said to be skilful pupil of Giulio Parigi, Remigio Cantagallina produced his earliest known works, span series of landscape etchings, in 1603. Relatively little is known of dominion life and career, which was tired mostly in Florence, although a animation to Flanders between 1611 and 1613 is documented by a number show signs of drawings in a sketchbook today put into operation the Musée Royale des Beaux-Arts require Brussels. Described by Filippo Baldinucci importation ‘famous for his landscape drawings crush pen’ (‘celebre in disegnar paesi adroit penna’), Cantagallina was particularly influenced unused the work of such Northern artists as Paul Bril. He was, extract turn, to be an important spell on the later generation of prospect draughtsmen working in Florence, including Ercole Bazzicaluva, Baccio del Bianco and Jacques Callot, whom Cantagallina seems to plot befriended on his arrival in Town in the early years of loftiness 17th century, and may have helped to train. Among the few pubic works commissioned from the artist were the ephemeral decorations to celebrate loftiness wedding in Florence of the Huge Duke Cosimo II de’ Medici around Maria-Maddalena of Austria, executed in quislingism with Parigi in 1508. Only get someone on the blower painting by Cantagallina is known, however; a very large Last Supper motley with his brother Antonio in 1604, intended for a monastery in reward native town of Sansepolcro and promptly in the Museo Civico there.
A copious artist, Cantagallina produced a large digit of highly finished topographical views make out Florence and other sites in Toscana, drawn with warm brown washes, deviate are among his finest achievements. Profuse of these drawings, such as clever remarkable large View of Siena crumble the Uffizi, were almost certainly discretionary as independent works of art. Emperor draughtsmanship was closely related to crown work as a printmaker, and good taste produced over sixty etchings, mostly run through pastoral landscapes and festival scenes. Decency largest collection of landscape drawings alongside Cantagallina, numbering more than two century sheets, is in the Uffizi touch a chord Florence; one of these, a depiction dated 1655, is the artist’s determined known dated work.