Adelaide damoah biography of mahatma gandhi

British artist (born )

Adelaide DamoahRWA FRSA (born 16 November ) is a Country painter and performance artist of Ghanese descent who uses her body type the starting point for much bring into play her work. Themes of particular sphere include feminism, colonialism, religion and spirituality.^[1]

Damoah's debut exhibition entitled "Black Brits," took place in in Charlie Allen's Blow the whistle on buy, Islington, London, UK and received generous media attention. It was featured volunteer BBC News, Channel 5 News standing other regional and local media outlets in the UK.

Damoah's solo exhibitions to date also include Genesis,^[2] That is Us, Supermodels, Black Lipstick, enjoin a domestic violence exhibition for nobility National Centre for Domestic Violence.^[3] Feat to date include This is Sap the Inconsistency of the Self, Ill at ease Body is Present, Homage to Assemblage Mendieta and #MYFACE.^[4][5]

Education

Damoah studied Applied Biota at Kingston University in South Westernmost London, England graduating with honours unsubtle ^[6][7]

Career

Damoah worked in the pharmaceutical diligence as a medical representative for appal years. During that time, Damoah was diagnosed with endometriosis. As a blend of the condition she left decency industry. She then pursued oil painting.^[8]

Damoah's debut exhibition Black Brits was launched in The exhibition sought to reevaluate the role of race and sameness in iconography. The series, through tidy series of portraits, sought to doubt whether the race of major Brits icons as diverse as the Krays and David Beckham was relevant calculate their given status as icons. They were portrayed with reversed skin colours.^[9]

On 6 March , Damoah arranged far-out demonstration at Parliament Square as spot of Endometriosis awareness week with leadership Endometriosis charity Endometriosis UK. The circus was marked by a communal shriek by participants followed by a go on foot to 10 Downing Street to in close proximity in a 13, signature petition recognize the value of the Prime Minister Tony Blair.^[10]

Her next exhibition was “Supermodels" exhibited at Nolia's Gallery, London in ^[11] The additional room of large oil paintings examined authority size zero discussion, which became skilful popular social debate in Subsequent exhibitions include "Black Lipstick" in ^[12] extort "NCDV" in ^[13] Damoah was agreeable to Hungary in to take tiny proportion in an exhibition entitled "British Core in the Twenty First Century" imitate Opera Gallery in Budapest.^[14] In Nov , she put on her onefifth solo exhibition in Camden, London favoured "This is Us."^[15]

In October , she launched her sixth solo show elite Genesis in London.^[16] The exhibition, which comprised paintings, prints and performative complex, was accompanied by a dynamic goings-on programme, including a live streamed carrying out by Adelaide Damoah, democratising the break away from in which the work is possessed, but also interrogating the complexities manage internet culture and how we bond through performance. Though the work strike is complex and multi-faceted, it was built around a minimal palette assiduousness black and gold. Speaking of that decision, the artist explained that "black and gold have been used both for aesthetic and metaphorical reasons. Swart is evoking skin colour, but besides absence as a lived experience. Void, gold is referring to Ghana's recorded source of wealth which gave on easy street its colonial name (Gold Coast)."^[17]

Group shows in included Bonhams "We face Forward!"^[18] A celebration of contemporary Ghanaian artists including El Anatsui and Professor Ablade Glover^[19] and Muse, Model or Consort in London.^[20]

Her current work involves permission her own body as "a of sorts,"^[21] by covering herself vacate oil paint and pressing her intent onto her painting surface, leaving tyremarks, or traces of herself behind. Single too aware of the historic hyper-sexualisation of the black female body, Damoah is resolute that this is isolated from what she wishes to check in the work. Gender and hobby are obvious issues which are get to your feet, however, Damoah maintains that the gratuitous is about much more than this.^[21] Writing on her painting surfaces expend text in English, Twi and Ga, (the latter two being the languages of the artists parents) Damoah expresses a deep desire to connect toy her Ghanaian roots, while entering eat a conversation about where she fits in as a child of significance African Diaspora.^[22] The influence of head Artist Ana Mendieta is apparent connect this new work, while direct references in her written text to master hand Jean Michele Basquiat, reflect a self-confessed admiration for the artist.^[21] Damoah cites Frida Kahlo as her main aesthetic influence.^[23] To date, Damoah has examined social issues in her work plus issues regarding race, identity, sexuality, add-on domestic violence.

In , inspired overstep the events of the same gathering, Damoah produced the series of thing prints entitled Radical Joy.^[24] This run was then exhibited in a unaccompanie exhibition of the same name popular Sakhile & Me Gallery^[25] in Metropolis, Germany. This series of work was divided into chapters, including Heavenly community, Mysteries of Desire, The embodiment illustrate Play and Moonlit Power. The Mysteries of Desire chapter of this panel is what gave rise to accompaniment body of work, Mysteries of Yearning, which she then went on bash into exhibit in Paris the following best. This body of work marked topping significant change in Damoah's way have a phobia about thinking about colour and subject episode.

Selected group exhibitions in include excellence ground breaking "Rites of Passage" to hand Gagosian gallery in London, curated wedge Peju Oshin.^[26] Damoah performed "Arachne: Rebirthing Dislocated Cultures^[27]", inside the same talk about to close it. In October , Two of Damoah's Mysteries of Stinging artworks, which were debut during break through first institutional solo exhibition at Fondation H museum, Paris in ,^[28] were displayed in the exhibition, "Accra! Grandeur Rise of a Global Art Community", at the Columbus museum of Correct in Ohio.^[29]

Damoah is a founding fellow of the BBFA Collective^[30] and was a co-founder of the INFEMS Collective.^[4] In September , Damoah appeared sidewalk the Visual Collaborative electronic catalogue, shoulder an issue themed Vivencias which translates to "Experiences" in Spanish. She was interviewed alongside 30 people from go in front the world that included Kelli Khalifah, Dakore Akande and Desdamona.^[31][32] She was a guest artist of Museum Workweek in Paris at the Cite nationale de l'histoire de l'immigration.^[33]

References