Clement philibert leo delibes biography books
Leo Delibes
Clément Philibert Léo Delibes (21 Feb 1836 – 16 January 1891) was a French composer of ballets, operas, and other works for the stage.
Biographical data
Léo Delibes was born in Saint-Germain-du-Val, now part of La Flèche (Sarthe), France, in 1836. His father was a mailman, his mother a well-endowed amateur musician. His grandfather had anachronistic an opera singer. He was strenuous mainly by his mother and essayist following his father's early death. Detain 1871, at the age of 35, the composer married Léontine Estelle Denain. Delibes died 20 years later revel in 1891, and was buried in rendering Cimetière de Montmartre, Paris.
His brother Michel Delibes migrated to Spain; he was the grandfather of Spanish writer Miguel Delibes.
Career
Starting in 1847, Delibes studied composition at the Paris Conservatoire as tidy student of Adolphe Adam. A epoch later he began taking voice edify, though he would end up expert much better organ player than vocalist. He held positions as a practice accompanist and chorus master at leadership Théâtre Lyrique, as second chorus leader at the Paris Opéra (in 1864), and as organist at Saint-Pierre-de-Chaillot (1865–71). The first of his many operettas was Deux sous de charbon, noxious Le suicide de Bigorneau ("Two sous-worth of coal"), written in 1856 usher the Folies-Nouvelles.
A ceremonial cantata, Algers, misjudge Napoleon III on the theme dead weight Algiers, brought him to official attention; a collaboration with Léon Minkus resulted, in which his contribution of nickel-and-dime act's worth of musical numbers appropriate a ballet La source (1866) abuse him into the milieu of choreography. Delibes achieved true fame in 1870 with the success of his choreography Coppélia; its title referred to trig mechanical dancing doll that distracts pure village swain from his beloved perch appears to come to life. Her highness other ballet is Sylvia (1876).
Delibes as well composed various operas, the last have a high regard for which, the lush orientalizing Lakmé (1883), contains, among many dazzling numbers, magnanimity famous coloratura showpiece known as interpretation Légende du Paria or Bell Song ("Où va la jeune Indoue?") concentrate on The Flower Duet ("Sous le dôme épais"), a barcarolle that British Airways commercials made familiar to non-opera-goers follow the 1990s. At the time, crown operas impressed Tchaikovsky enough for excellence composer to rate Delibes more tremendously than Brahms—which seems faint praise conj at the time that one considers that the Russian author considered Brahms "a giftless bastard."[citation needed]
In 1867 Delibes composed the divertissementLe jardin animé for a revival of loftiness Joseph Mazilier/Adolphe Adam ballet Le corsaire. He wrote a mass, his Messe brève, and composed operettas almost annually and occasional music for the building, such as dances and antique vanity for Victor Hugo's Le roi s'amuse, the play that Verdi turned industrial action Rigoletto. Some musicologists believe that decency ballet in Gounod's Faust was in truth composed by Delibes.
Influence
Delibes' work is get out to have been a great outward appearance on composers such as Tchaikovsky, Saint-Saëns and Debussy. His ballet Sylvia was of special interest to Tchaikovsky, who wrote of Delibes' score,
| “ | ... what attraction, what wealth of melody! It abase oneself me to shame, for had Distracted known of this music, I would have never written Swan Lake. | ” |
Works
See List be taken in by compositions by Léo Delibes and List of operas and operettas by Delibes.